Posted by: narlinswords on: February 23, 2010
Dada was a literary and artistic movement that originated in Europe during the time World War I was up close and personal. Many artists, writers and intellectuals took refuge in Switzerland. They were very upset that Modern Europe had “allowed” the war to happen, and began protesting. This group of people founded the Dada movement to go against European society and its artistic traditions. They decided to become “non artists” and create “non art” since they believed art had no real meaning anyways. Anything they could do to go against the current society that encouraged the war was their goal.
The word Dada has conflicting interpretation. One that I think makes the most sense is that Dada comes from the Russian translation of “yes, yes” or “yeah, yeah” as in “yeah, whatever”. Dadaists thrust mild obscenities, scatological humor, visual puns and everyday objects (renamed as “art”) into the general public. The public was, of course, disgusted by this new “art”, which in turn made the Dadaists even more driven. People caught on to this type of protesting, and the Dada movement was born.
Marcel Duchamp’s Bicycle Wheel (Paris, 1913) , is a classic example of Dada art. It is said Duchamp mounted the wheel just to watch it spin. Two years after creating this piece he coined the phrase “Readymades” to explain found everyday objects he chose and presented as art. One of his most notorious pieces is Fountain (1917), the urinal that shocked the art world.
I chose this piece because I found it silly and entertaining. I feel that there is a good portion of art that seems silly, and people are willing to pay lots of money for things I could dig up in my neighbor’s backyard. I like that the Dadaists found it clever and humorous to take random everyday things and jokingly call it art, only for it to truly become such a thing. Who knew?
http://en.wikipedia.org/wiki/Marcel_Duchamp

April 6, 2010 at 6:33 pm
Oh Dada!
Nice, if brief and simplified, overview of the aims of the movement. Very nice connection to WWI and the idea of “modern Europe.”
I’d urge you to be hesitant in assuming that the Dadaist, because they were aware of the absurd nature of their endeavors, and because they often incorporated self deprecating and scatological humor, were actually ONLY creating their art to be silly and/or entertaining. If you read the poems by dadaists, you get the sense that they take their work (granted of absurdist iconoclasm) very seriously indeed. Henry Balle wrote an essay about the first performance of one of his set of sound-poems, and it is very evident from his writing that he and Tristan Tzara at any rate, took the endeavor quite seriously indeed and believed in the philosophical work they were doing and the questions on the nature of originality, creativity, and art that they were engaging with.